Hand blown glass, sheet glass, leadcame
Exhibited as part of Molten Tongues, photography by Matthew McQuiggan
Hand blown glass, sheet glass, leadcame
Exhibited as part of Molten Tongues, photography by Matthew McQuiggan
Hand blown glass, sheet glass, leadcame
Exhibited as part of Molten Tongues, photography by Matthew McQuiggan
Hand blown glass, sheet glass, leadcame
Exhibited as part of Molten Tongues, photography by Matthew McQuiggan
Hand blown glass, sheet glass, leadcame
Exhibited as part of Molten Tongues, photography by Matthew McQuiggan
Salvaged church glass, thermal print on glass, found mirror, leadcame
Exhibitied as part of Stoning Glass Houses, photography by Dakota Gordon
Salvaged church glass, thermal print on glass, leadcame
Exhibitied as part of Stoning Glass Houses, photography by Dakota Gordon
Salvaged church glass, thermal print on glass, leadcame
Exhibitied as part of Stoning Glass Houses, photography by Dakota Gordon
Salvaged church glass, thermal print on glass, leadcame
Exhibitied as part of Stoning Glass Houses, photography by Dakota Gordon
Salvaged church glass, thermal print on glass, leadcame
Exhibitied as part of Stoning Glass Houses, photography by Dakota Gordon
Salvaged church glass, leadcame
Exhibitied as part of Stoning Glass Houses, photography by Dakota Gordon
Salvaged church glass, thermal print on glass, found mirror, leadcame
Exhibitied as part of Stoning Glass Houses, photography by Dakota Gordon
Salvaged church glass, thermal print on glass, leadcame
Exhibitied as part of Stoning Glass Houses, photography by Dakota Gordon
Back hall side entrance
East Ivanhoe Methodist Church, photography by Dakota Gordon
Linsey Gosper, performing passage from Book of Enoch
East Ivanhoe Methodist Church, photography by Dakota Gordon
Detail, Jake Adam Treacy’s poem Angel, from Book of Radical Devotion
East Ivanhoe Methodist Church, photography by Dakota Gordon
Jake Adam Treacy
East Ivanhoe Methodist Church, photography by Dakota Gordon
Lia Dewey Morgan performing Shelf Reading
East Ivanhoe Methodist Church, photography by Dakota Gordon
Installation view, Concrete Poetry by Lia Dewey Morgan
Exhibitied as part of Stoning Glass Houses, photography by Dakota Gordon
Grant Ionatán perfoming Untitled
East Ivanhoe Methodist Church, photography by Dakota Gordon
Installation view, Only the Stars Know Where I’ve Been by Felix Saturn
East Ivanhoe Methodist Church, photography by Dakota Gordon
Published by Stray Pages, ISBN: 978-1-7644890-2-7
32 Pages, Risograph photobooklet with dust jacket. Purchase
Published by Stray Pages, ISBN: 978-1-7644890-2-7
32 Pages, Risograph photobooklet with dust jacket. Purchase
Published by Stray Pages, ISBN: 978-1-7644890-2-7
32 Pages, Risograph photobooklet with dust jacket. Purchase
Felix Saturn is an artist and craft practitioner based in Naarm/Melbourne. Through glass, her practice navigates architecture, material kinship and animism—translating material processes into objects that spark spatial and alchemical resonance.
Her work centres on the contemporary application of stained and leaded glass, often through site-specific activations in unconventional spaces. Underpinning her work is a sustained engagement with occult sciences—in particular, planetary magic and Hellenistic astrology—informing her methodology and material enquiries.
Using traditional methods, she applies a wide range of technical skills both as an artist and trade practitioner, offering window fabrication services for domestic and architectural settings. She is a glassblowing trainee at rage | Hot Glass Studio, developing mouth-blown glass elements for use in her art practice and trade work.
Studio open by appointment,
151 Mellville Road, Brunswick West
felix@saturnglazing.com
+61 406 989 728
Emblem illustrated by Robin Harris
Sigil designed by Wei Huang
Between the Earth and an Anvil
Hobart Town Hall Underground, TAS
Forthcoming solo show, June 2027
2026
Fresh! Fellowship Recipient
Craft Victoria
The Craft Victoria Fresh! Fellowship program provides 12 months of professional mentorship support, responding to the specific needs of emerging artists.
The fellowship is supported by the Amaeah Foundation.
Glory
Published by Stray Pages
ISBN 978-1-7644890-2-7
Glory captures the distinct intimacy of a working hotshop. Shot on disposable cameras, the images linger on gesture – introducing chance and imperfection into the otherwise exacting practice of glassblowing. The resulting imagery distills fleeting moments of master practitioners in the flux of making, abstracting the tools and setting that typically function in a state of precision and control. Purchase
Molten Tongues
Incinerator Gallery, Moonee Ponds, VIC
Scrying Field (I)
Molten Tongues speaks in the primal, alchemical language of fire—a force that warms, consumes, ignites, transforms. Fire is at once origin and omen, a source of life and an agent of destruction.
This exhibition brings together works by contemporary Australian and international artists who engage fire as material, metaphor, and memory—tracing its roles across ritual and industry, ceremony and combustion, love and loss, technology and ecology.
Curated by Jake Treacy
Stoning Glass Houses
East Ivanhoe Methodist Church, VIC
Stoning Glass Houses is a site specific activation on abandoned church grounds in inner Melbourne. Through material resurrection, textual invocation, angelic eroticism and improvised divination, six contributors pry open the politics of public space and architectural animism. Breaking rules (and windows) becomes part and parcel of a new congregation.
Curated by Felix Saturn, with contributions from Felix Saturn, Linsey Gosper, Jake Adam Treacy, Grant Ionatán, Lia Dewey Morgan and Christian Bishop.
2024
Angels in Exile
Incinerator Gallery, Moonee Ponds, VIC
Keys to the City
Drawing upon John Milton’s epic poem ‘Paradise Lost’, this exhibition questions the ethical and political implications of religious myth-making, moralistic binaries, and the social impacts on law-making. Considering mythologies such as the ‘Expulsion from the Garden of Eden’, and the ‘Fall of Lucifer from Heaven’, the exhibition draws parallels to queer experiences of persecution across time and place, whilst questioning the governance and ideologies of purported paradises.
Curated by Jake Treacy
Education
BFA (Sculpture), RMIT University
Cert IV Designed Glazing, Melbourne Polytechnic
BFA (Sculpture), RMIT University
Cert IV Designed Glazing, Melbourne Polytechnic